by Valeria Fanelli –

The Istituto Per La Storia Del Risorgimento Italiano and the Embassy of Italy in Washington D.C. present an exhibition on WAR & ART: Destruction and Protection of Italian Cultural Heritage During World War I.

The exhibition will be hosted at the National World War I Museum at Liberty Memorial – 100 W. 26th Street, Kansas City, MO, from Nov. 18 until Dec.17, 2014.

The exposition represents a look at the preservation of Italy’s historical and artistic heritage as documented by photography.

During the First World War even Italy’s historical and artistic heritage became a powerful propaganda tool for the country affected by the war. The art and beauty destroyed during air raids or land battles were further proof of the “enemy’s barbarity.”

The planned or accidental destruction of artistic monuments had already been condemned by France on Sept. 19, 1914, following the irreparable damages to Reims Cathedral, and even earlier, on Aug. 25, 1914, by Belgium when the historical library of Louvain was destroyed by fire.

Centuries-old art became an innocent victim of the war’s destruction. Stone sculptures could not survive steel shells.

In Italy, the destruction of culture was considered a cowardly and uncivilized act, a sort of blasphemous sacrilege, much like the violence perpetrated by invading armies against unarmed civilians.

The idea that Italy’s national heritage could be used as a successful propaganda tool against the enemy was immediately put into action with photographs, like those in this special exhibition, that documented the damages of war to paintings, frescoes and churches.

Photography was also used to sensitize the population in remote areas far from the front lines since this visual means proved the most effective instrument of persuasion—it could be easily understood even by the less educated members of the population and the illiterate.

Newspapers and magazines thus detailed the beautiful artworks in the more famous Italian cities protected and defended against the “enemy’s barbarity.”

As shown in the exhibition, photographs were taken to document the protection of the art became art themselves. The sandbag walls and wooden structures built around precious sculptures and architectural features became art in themselves.

This exhibition, shown outside of Italy for the first time, has been organized by Istituto Per La Storia Del Risorgimento Italiano, Roma, the Embassy of Italy, Washington D.C., and the Italian Cultural Institute of Chicago.